What are the opening hours of the Air Museum

Wednesday and Thursday 2 PM to 5 PM, Friday to Sunday and holidays 11 AM to 5 PM. Closed on Monday and Tuesday. Tours available upon request.

Is the exhibition accessible for people with disabilities

The Air Museum is not accessible due to the historic building substance. An elevator is not available.

Are there guided tours or educational offers

Guided tours can be requested through the museum. Education is oriented towards themes like spatial drawing, materiality, and viewing of works.

Is photography allowed in the exhibition

Information will follow. Please adhere to onsite instructions and consult museum staff if necessary.

How do I reach the Air Museum in Amberg

Address Eichenforstgäßchen 12, 92224 Amberg. Central location in the old town. Access on foot from downtown is possible, parking available in nearby parking garages.

How long should I plan for the visit

For an in-depth viewing of the drawings, a time frame of 45 to 90 minutes is recommended.

Seeing Time by Uli Schulz: Drawing, Light, and Silence in the Air Museum

Name: Uli Schulz: Seeing Time – Drawing and Temporality
Start: 2026-03-28T01:00:00+01:00
End: 2026-03-29T00:59:00+01:00
Location: Luftmuseum Amberg

Uli Schulz in Amberg: Seeing Time – Drawing as the Breath of the Present

The artist Uli Schulz, educated in Munich and Barcelona, dedicates her latest series of works to the question of how time manifests itself in lines, condensations, and silent pauses. In Amberg, she unfolds large-scale drawings as precise inventories between subjective perception and objective observation – a concentrated art experience.

Artwork Reflection: Line Fabric, Condensation, Breath

At the center is drawing as an elementary artistic practice. Filigree line fabrics grow into dense layers; darkening meets bright breathing spaces. This creates an exhibition atmosphere in which material, rhythm, and light carry the aesthetic experience.

Art Historical Classification and Curation

Schulz's approach combines meditative processuality with conceptual rigor. Between chronography and palimpsest, she reflects on traces of time – a position that can be situated in the tension field of contemporary drawing, minimal art, and process-oriented art. The curatorial setting emphasizes clear sightlines and a calm spatial effect that deepens the viewing of the works.

Material, Measure, Method

On large-format papers, fineliners, pencils, and pigment markers act as precise instruments. Condensations, interruptions, and serial arrangements open a tactile experience of seeing. The works read like chronicles of the moment – concentrated, poetic, sensual.

Education and Cultural Outreach

The exhibition invites dialogical art education: terms like form relation, spatial drawing, and contemplation become experiential. The setting promotes a decelerated reception – ideal for visitors who want to discover drawing as a conscious medium of time.

Conclusion: A quiet, dense exhibition about the quality of time. Those who want to experience colors, shapes, and light as precisely set traces should see this exhibition live – for a sustainable aesthetic experience and an intense art experience.