When does the exhibition start?

The start is on 15.04.2026 at 15:04 in Amberg; further details about the day's schedule will follow.

Are there guided tours or educational programs?

Information will follow; planned educational offerings and discussions about the works will be added after the program is published.

What does admission cost?

Admission is free; visitors can visit the exhibition without a ticket.

Is the exhibition accessible for people with disabilities?

Accessibility information will follow; please check the current notes from the organizer before your visit.

Can I take photographs in the exhibition?

Information will follow; please act respectfully and adhere to the house rules on site.

How much time should I plan for the visit?

For an in-depth artwork analysis, 45 to 60 minutes is recommended; if reading the wall texts intensively, correspondingly more.

Drawing as a Trace of Time: Uli Schulz Weaves Ephemerality and Presence

Name: Exhibition: Uli Schulz – Drawings of Time
Start: 2026-04-15T17:04:00+02:00
End: 2026-04-15T17:04:00+02:00
Location: Bäckerei Hiltner GmbH

Marking Time: Uli Schulz Unfolds the Poetry of Ephemerality

The upcoming exhibition is dedicated to the artistic cosmos of Uli Schulz. The artist studied communication design and painting in Munich and Barcelona; her works have been shown in Germany and Spain. For several years now, she has focused exclusively on drawing. On large-format sheets, she questions the experience of time: subjective perception, objective documentation, condensation, and dissolution.

Artwork Analysis: Lines as Traces of Time

At the center is the drawing as an elemental artistic practice. From woven lines, compressions, and pauses, Schulz shapes a sensitive fabric. Black-and-white contrasts modulate the picture surface, fine hatching and gestural placements create rhythm. The artwork analysis makes a visual art experience apparent, in which seconds become states and the aesthetic experience of looking matures into a subject itself.

Art Historical Context: Drawing between Process and Presence

The works situate themselves between classical drawing and contemporary image research. The focus on large formats shifts the drawing from sketch-like to the sphere of autonomous works of art. Curatorially, an exhibition atmosphere is created that emphasizes the character of the process: serial arrangements, empty scores, dense nodes. Thus, time, perception, and memory are reflected as a contemporary artistic direction.

Spatial Effect and Material: Paper as a Resonance Body

Large-format paper responds to pressure, friction, and speed of drawing. Light touches fibers, edges, and overlays, creating a vibrating field. Reduction and nuance, tension and silence shape the spatial effect. The installation of the sheets allows the viewer to enter the duration of the image.

Theme of Time: Duration, Moment, Recurrence

Transience and repetition structure the logic of the images. Time appears as a drawn experience: as a condensation of traces, as interruption, as suspension between beginning and end. The series of works read like inventories of an inner chronology.

Conclusion

This exhibition promises a concentrated, sensual encounter with drawing. Those who appreciate the subtle tones of art will experience a school of seeing here: clear forms, precise gestures, dense atmospheres. Recommended for all who wish to sharpen their perception and explore time as an aesthetic experience.