Name: Clouds and Forged Air Holes – Bettina Dittlmann & Michael Jank
Start: 2026-07-02T04:07:00+02:00
End: 2026-07-02T04:07:00+02:00
Location: Landratsamt Amberg-Sulzbach

When Jewelry, Clouds, and Forging Art Become a Silent Art Experience

The exhibition Clouds and Forged Air Holes brings together two artistic signatures in Amberg that connect material, nature observation, and formal precision in a rare way. Bettina Dittlmann and Michael Jank showcase a field of work between goldsmithing, experimental material processing, and a poetic perspective on the phenomenon of clouds.

Jewelry as Sculptural Form

At the center are the Ever Rings, handcrafted objects made from gold, silver, copper, or iron, developed since 1998. From a single piece of material, works emerge through piercing, stretching, elongating, and shaping where craftsmanship and aesthetic tension meet. The surface visibly carries the traces of the process and makes the act of creation itself part of the observation.

Material, Light, and Spatial Presence

The exhibition draws attention to the interplay of body, object, and space. Here, jewelry appears not as decorative accompaniment, but as a concentrated art form with sculptural presence. Particularly in the transition from smooth, rough, metallic, and finely crafted sections, a multifaceted examination of the work unfolds, revealing the proximity to object art and the contemporary craft scene.

Clouds as Motif, Laboratory, and Memory

Michael Jank expands the dialogue around the motif of the cloud, which he has pursued photographically and through printmaking for many years. Photography, photogravure, lithography, and screen printing combine for a reflective engagement with perception, change, and nature observation. This creates a visual world where air, sky, and surface question one another.

Art Historical Location and Cultural Education

The presentation clearly situates itself within the field of contemporary jewelry design, object art, and experimental printmaking. Bettina Dittlmann is internationally recognized for her work and has received multiple awards for her craftsmanship quality. Michael Jank complements this position with a research-driven, photographic perspective on nature and form. The result is an exhibition that also promotes cultural education and deeper art communication.

Conclusion: Anyone looking for an exhibition experience in Amberg with fine material poetry, craftsmanship authority, and quiet intensity should definitely attend this vernissage live. The connection of jewelry, cloud motifs, and precise design is most vividly expressed in the original.