Uli Schulz in Amberg: Drawing as a precise study of time


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Experience of Time on Paper: Uli Schulz opens a quiet panorama of transience
The exhibition by Uli Schulz invites you to an intense art experience in Amberg. Large-format drawings create a contemplative exhibition atmosphere in which time, memory, and perception merge in precise work observation.
Drawing as a Space of Thought of Time
Coming from the school of painting, Schulz has been radically focusing on drawing for years. Lines, hatching, and rich dark zones rhythmize the surface; bright reserves open breathing spaces. The material breathes: paper fibers, graphite shine, the matte tone of pigments – an ascetic yet sensual language.
Form, Rhythm, Transience
In series, Schulz thinks of time as multiplicity: the flowing and the built, the empty and the animated. The vocabulary of form recalls the tradition of Informel without quoting it; rather, tensions are condensed as aesthetic experience in space.
Curating with Calm and Precision
The hanging focuses on clear sight axes, generous spaces, and light that minimally modulates surfaces. Groups of works form islands of concentration – ideal for slowed-down contemplation and art educational discussions about material, line, and picture space.
Education and Mediation
For visitors, a slow path is recommended: from detail to the total view, from seeing to noting. Drawing processes become understandable, concepts like composition, tonal value, negative shape, and spatial effect are illustrated.
Conclusion: Anyone who wants to experience drawing as an independent art form will find a dense, quiet show here. A precise, poetic engagement with time and perception awaits you – an invitation to look quietly and sharpen your own perception.
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